Author’s Note: Let’s Try This Again

This week marks a hopeful return to regular posting at Catsignal. At minimum, there will be a new haiku and a new Quotable each Tuesday and Wednesday, respectively. I hope also to post weekly about something happening in the writing world, an interesting piece someone else has written, or something I’ve been thinking about concerning writing. I hope you’ll join me again.

Pen to Paper: #Cockygate

Writers and other creative folks will want to keep an eye on a trademark controversy that exploded recently.

Romance author Feelina Hopkins has trademarked the word “cocky” and is telling other romance writers who have that word in the titles of their books to change their titles – even if those titles predate her own. Needless to say, this has caused an uproar in the romance world, and it’s going to be a cautionary tale for everyone else no matter how it shakes out.

Romance author and retired attorney Kevin Kneupper (Twitter) has filed a challenge (Dropbox) to Hopkins’ trademark with the Trademark Trial and Appeal Board of the United States Patent and Trademark Office. He says it could take up to 18 months for the issue to be settled.

Author’s Note: Catsignal Turns 10

Catsignal is not the happy, boisterous 10-year-old I had once envisioned it would be. The earlier days of weekly stories are long gone. The occasional haiku and even more occasional essay are about all that happen around here anymore. If ever I find the cognitive power to change that, I will. At present, chronic fatigue syndrome keeps me sleepy and brain-fogged.

On this anniversary, it seems more reasonable to look back rather than ahead. So, for those who might like to revisit the old days – or if you’re new here and wonder where to begin – here is a short list of some of my favorite stories, in chronological order.

Papal Bull

In Sure and Certain Hope

The Master of Rusbridge Manor

Folding Money

Fallen Gods

Katydid

Red Riding Hood and the Wolves

Time in a Bottle

One Low Payment

Bobblehead

Birth Order

The Devil You Know

The Last Reunion of the Capper Gang

Exposed

Angels We Have Heard While High

Personal Ad

Hansel and His Visit to the Enchanted Part of the Forest

Precarious Balance

Pen to Paper: Literary Estate

Let’s start the new year by talking about our wills.

Now, now. Don’t give me that look. I am reliably informed that we’ve all got to go sometime. And we’re all leaving a lot of detritus behind us that we owe the courtesy of helping to clean up. In the last few years, I’ve seen firsthand what happens when one does and when one doesn’t leave a will. You’re being unkind to your next of kin if you don’t.

But whatever you decide to do about Great Aunt Nellie’s smoked-glass candy dish, let’s focus on what we creative types might do with our intellectual property rights. It is my understanding (lawyers, jump in and correct me if necessary) that IP rights don’t automatically accompany an estate. So all those poems and songs you wrote? The novel you self-published? The twenty years worth of plays you wrote for the local theater? If you don’t specify in your will who gets the rights to those, no one gets them.

Copyright law, at present (until The Mouse gets it extended yet again), says a creative work is copyrighted at the moment of creation and for seventy years after the creator’s death (longer in some cases). For seventy years, no one has the right to use or republish your work. How well-remembered do you expect to be after seven decades?

People who earned their daily bread and fed their families with their creative works have not given thought to this dilemma. Back in October 2006, Neil Gaiman wrote with a heavy heart about his friend John M. Ford, an author of no small note, who had died without making final arrangements for his literary estate. And another writer whose not-quite-ex-wife ended up with his copyrights, to everyone’s detriment. Gaiman and a lawyer friend offer a short and sweet solution in that post, so go check it out.

I’m a little past a half century. I’m hoping for another thirty years or so, but I’m working on documenting things like I’ve got until late next week. Just to be polite. It’s pretty easy, really, except for what to do with my little literary estate, most of which can be found on this site. It isn’t much, but I’m fairly proud of what I have done. I had once thought of just releasing the copyrights upon my death, but I’m not so sure about that now. On the off chance that something I’ve done could, in fact, become popular, why should some schmuck I never knew get comfortably well off from it? But I doubt that any of my relatives would want to fuss with my writing. So I’m a bit stuck at the moment.

So, to the comments! What provisions have you made for your literary estate?